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Franz Ferdinand: Alexander Kapranos (vocals, guitar); Nicholas McCarthy (guitar, keyboards, background vocals); Robert Hardy (bass); Paul Thomson (drums, background vocals). On their self-titled debut, Glasgow foursome Franz Ferdinand lift the jagged, danceable sounds of British post-punk to elegant and dizzying new heights. While they may seem to have much in common with the wave of American bands emerging in the early 2000s, Franz Ferdinand demonstrates a close study of the genre and proves its prowess. If the Rapture is a rowdy kegger in a Brooklyn loft, then Franz Ferdinand is a gin-soaked dance-off at an outdoor European cafe where no table remains untipped. As disciples of the Fire Engines, Josef K, and Orange Juice, chief songwriters Alex Kapranos and Nicholas McCarthy temper the edges with a sense of melody that wisely falls just shy of Blondie-style bubble gum. The centerpiece is "Take Me Out" (a U.K. top ten hit), which plays out a series of come-ons between rival assassins, over what begins as a sneering slice of mid-1990s Britpop, only to morph into a funky dance-floor tune. Kapranos is often quoted as saying that the band was started in order to "make music that girls can dance to," but this unusually assured debut is quite likely to affect discriminating boys in exactly the same way.

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