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After long years of work the author of unique and successful albums Shallow and Profound(2000) and Splendid Isolation (2005) is back with his new long-player, Passive Control, which is considered to be the third, closing part of the trilogy. Passive Control is another typical contradictory, multilayered Yonderboi title that can be explained in different ways. One of them refers to the constantly changing and unpredictable economical/social situation of today, which is witnessed by most of us inertly, hoping that this recession-thing gets sorted out soon. The albums opening song Sustainable Development is an equally beautiful and sarcastic interpretation of this phenomenon, featuring the suggestive voice of Edward Ka-Spel - who can be familiar already from the previous albums closing song Even if you are victorious. Passive Control could also describe the typical mindset that social networking sites create. You sign up, put yourself in the little showroom, and then you WAIT. Like fishing. Sometimes you throw in some bait, but secretly you hope that one day something unexpected will pull the other end of the line.And the above-mentioned method is not just a plain theoretic observation, as it was also used in practice. Actually, Yonder found the albums female voice via myspace: the previously unreleased young German singer Charlotte Brandi. The goal was to create the sister-sequel of Splendid Isolation, so having female voice on the new album was of key importance. Like every Yonderboi record Passive Control is as well a diverse, story-like collection of songs, with a strong personal background. Even though the eleven songs are spread on a large-scale of styles, compared to the earlier works it is a bit less eclectic. Yonder produced and mixed the entire record alone in his Budapest home studio, the aim was to develop a more electronic and skeletonized version of his sound. He used to play a decisive role on the visual side too, but this time he took everything into his own hands, he shot all the photos and designed the cover himself. The whole album has an elusive feel of utopia, which can be explained easily by Yonders love for science fiction ever since he was a kid. Jean Gireaud Moebius the legendary French comics artist, Russian sci-fi movie Kin-Dza-Dza, or Hungarian cult-film Meteo are just a few examples that inspired him during the making of Passive Control. One of my very favorite subjects is how they imagined todays world in the past, which was the future for them. It is funny to live in the future and to compare how much it didnt end up as they imagined

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