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* In another lifetime, Bruno Pronsato (Seattle producer Steven Ford) drummed for Texas speed-metal/punks Voice Of Reason. But then he had his head split open by My Bloody Valentine, Gang Of Four, death-metal titans like Venom, Slayer, and Napalm Death. After Voice Of Reason split, there followed a period of musical disenchantment, during which Ford moved to Seattle in 1998. There he commenced making computer-based music.
* Incorporating the above influences along with inspiration from European atonalists like Anton Webern and Arnold Schoenberg, Ford gravitated toward microsound, taking the name Bobby Karate to chop out intricately designed glitchscapes that unpredictably fizz and crackle like the best output from the Raster-Noton and Mille Plateaux labels.
* While establishing his rep as Seattle's foremost sculptor of powerful, electronic abstractions, Ford dabbled with dance music production under the Bruno Pronsato moniker. This work resulted in his groundbreaking full-length on Orac, Silver Cities. Since this amazing debut, Bruno has become one of the most critically acclaimed producers and performers on the minimal techno scene, consistently pushing boundaries with his music yet remaining undeniably danceable.
* His intention here is to provide you with a long player - not a compilation of clubtracks. He wants to tell a story and he does it with nine long, grooving compositions that are full of rhythms that twist around bubbling sounds that seem to launch out of his very own inner space: sometimes a piano melody is dancing in space, then an undefinable vibrancy chirps out of the background, and in the next moment some unheared buzzing sighs in time and space.

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